Showing posts with label Novel writing. Show all posts
Showing posts with label Novel writing. Show all posts

Mar 4, 2012

✏ ON WRITING: Planning For Plots

Below are excerpts from NO PLOT? NO PROBLEM! By Chris Baty (Founder of National Novel Writing Month).

I've been carrying this book around with me for a week, reading it between classes, on the bus ride home, or during lunchtime and it has some pretty great information that I thought I'd share. Something that particularily interested me was the chapter on novel planning. The particular situation presented in the chapter has happened to so many of us that I'm starting to wonder how planners are able to write and stick so closely to their outlines without it getting messy. I wish that I could be a planner, but most of the time my planning is minimal at best. I go into writing a new piece with limited knowledge of three things: Characters, Plot, and Setting. Then I write and let the story fill in the extra details itself. The only time I really get into outlining is during the re-write or revisions when I find it to be the most useful. In the excerpt below if you see the word Me in paretheses then that's a thought I had while reading.

~ ~ ~

Pages 82, 83, 84 (this is a really small book)

After months of preparation, Jennifer McCreedy had an absolutely clear vision of how her intricate fantasy novel would unfurl.

"I churned out character biographies, world maps, and language keys," says the twenty-year-old one-time NaNoWriMo winner from Detroit. "I had developing culture, societies, religions, hierarchical class stuctures--even regional clothing, genetic wuirks, weapons, and customs."

When the month began, Jennifer dovein with all her notes at her side--and promptly stopped writing.

"I did so much development work on the novel that when it came time to actually write, I was horrified at what I was coming up with. I'd comitted too much to making a complete world for my novel just to watch it crumble under the needs of a November 30th deadline. So I set it aside for future work and started completely anew."

Jennifer's experience echoes the dismay of thousands of National Novel Writing Month participants who have brought months or years of novel ideas to the writing table and ended up finding them to be more of a hindrance than a help in getting something written.

It may be counterintuitive, but when it comes to novel writing, more preparation does not necessarily produce a better book. In fact, too much preparation has a way of stopping novel writing altogether.

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Feb 19, 2012

On Writing: Story Structure (Repost)

I wrote this article last year and because I posted the second part to it immediately after I think many people missed this one. So here is PART 1 of "On Writing: Story Structure".


Plotting novels has been so much more easy-going for me after I found out what story structure was. Keeping your story’s structure in mind can make a HUGE difference in your writing. It’ll help you stay on course whether you’re an outlining type of person or not.

As an example I’ll be using HARRY POTTER AND THE SORCERER’S STONE (Part 1) and DIVEREGENT by Veronica Roth (Part 2).

What I use is a simple 8-Point Structure (made by Nigel Watts) but if you want to go into more detail you can. (Click here for more detailed structure. Scroll down to chart. )


The Eight Main Turning Points:

(Use this as a checklist as you’re writing)
1. Stasis

Introduces characters, everyday life, and problem. (Harry Living with the Dursleys)

2. Trigger

Add in a trigger that sparks off the story. (Harry getting picked up by Hagrid & finding out he’s a wizard)

3. The quest

The Trigger results in a quest. (Harry goes to the Wizarding World for the first time and enters Hogwarts, Finds out what really happened to his parents.)



4. Surprise

Surprise takes up the most part of the story. It’s basically the middles. It includes pleasant events, but more often means obstacles, complications, conflict and trouble for the protagonist. (Harry explores life in Hogwarts. Becomes friends with Ron and Hermione. Has skirmishes with Malfoy. Trouble with Professor Snape. Learns more about Voldemort.  Plays Quidditch. Learns more about his family).

5. Critical choice

At some point the character makes a critical choice. It shows what kind of person your character is and determines what the real goal will be for the rest of the story. (Harry learns that Voldemort has been trying to steal the Sorcerer’s Stone. He decides that he must find the Stone before Voldemort does.)

6. Climax

In the climax basically everything possibly bad that can happen to your character does and he/she faces their worst struggle. The climax is the highest peak of tension in your story. Up until this point your character has been struggling to get better at something and this is the big test where he/she can show us what they can really do and who they really are as a person. Note that this portion is paced really quickly. (Harry finds the Sorcerer’s Stone before Voldemort does. He comes face to face with him through Quirrel, one of Harry’s teachers. But when he touches Harry the contact burns him. He dies. Harry is safe.)
7. Reversal

The reversal is the consequence of the critical choice and the climax, and it should change the status of the characters. (When Harry regains consciousness, he is in the hospital with Dumbledore. Dumbledore explains that he saved Harry from Quirrell just in time. He adds that he and Flamel have decided to destroy the stone.)

8. Resolution
The resolution is when things return back to normal and the main conflict is resolved. The characters should be changed, wiser and enlightened in some way due to the story’s events. You can always leave a few strings open though if you’re planning on continuing with a sequel. You might want to use a different central conflict this time around because the main conflict in the first book has to be resolved. (Harry heads down to the end-of-year banquet, where Slytherin is celebrating its seventh consecutive win of the house championship cup. Dumbledore gets up and awards many last-minute points to Gryffindor for the feats of Harry and his friends, winning the house cup for Gryffindor.)

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Dec 12, 2011

Contest for Aspiring YA Writers


Win a literary agent or acclaimed author's feedback on your unpublished manuscript for young adult or middle grade readers.  This rare opportunity is being offered to the six winners of an essay contest recently announced by the literacy charity Book Wish Foundation.  See http://bookwish.org/contest for full details.

You could win a manuscript critique from:
  • Laura Langlie, literary agent for Meg Cabot
  • Nancy Gallt, literary agent for Jeanne DuPrau
  • Brenda Bowen, literary agent and editor of Karen Hesse's Newbery Medal winner Out of the Dust
  • Ann M. Martin, winner of the Newbery Honor for A Corner of the Universe
  • Francisco X. Stork, winner of the Amelia Elizabeth Walden Award for The Last Summer of the Death Warriors
  • Cynthia Voigt, winner of the Newbery Medal for Dicey's Song and the Newbery Honor for A Solitary Blue
All that separates you from this prize is a 500-word essay about a short story in Book Wish Foundation's new anthology, What You Wish For.  Essays are due Feb. 1, 2012 and winners will be announced around Mar. 1, 2012.  If you win, you will have six months to submit the first 50 pages of your manuscript for critique (which means you can enter the contest even if you haven't finished, or started, your manuscript).  You can even enter multiple times, with essays about more than one of the contest stories, for a chance to win up to six critiques.

If you dream of being a published author, this is an opportunity you should not miss.  To enter, follow the instructions at http://bookwish.org/contest.

Good luck and best wishes,
Logan Kleinwaks
President, Book Wish Foundation


Good luck to anyone who enters! Seems like a really great opportunity. :)
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Nov 6, 2011

Week 1: NaNoWriMo Update




The first week of NaNo was a toughie (to those of you who don't know what NaNoWriMo is the calendar above explains it all). Between schoolwork, the books on my bookshelves that are tempting me to read them, and a plethora of other things there seems to be very little time to write. When I do find the time I get out about 4k words in one sitting. 

So to those of you who are doing NaNo this year how much have you gotten down so far? Did you participate last year? If so, how did that go.

My current word count:
8747 Words

NaNo stats say that by this rate I'll be done by December 4th....
But hey, there's still 24 days left. We can do this thing!

Here's my NaNo page if you want to add me as a buddy.
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Oct 9, 2011

On Writing: STORY STRUCTURE (Part 1)


After I learned about Story Structure everything fell into place for me.  Plotting novels has been so much more easier for me when I have the structure in mind. I’m glad that found out about it when I did otherwise many of my books would still be unfinished. Keeping your story’s structure in mind can make a HUGE difference in your writing. It’ll help you stay on course whether you’re an outlining type of person or not.

As an example I’ll be using HARRY POTTER AND THE SORCERER’S STONE (Part 1) and DIVEREGENT by Veronica Roth (Part 2).

What I use is a simple 8-Point Structure (made by Nigel Watts) but if you want to go into more detail you can. (Click here for more detailed structure. Scroll down to chart. )


The Eight Main Turning Points:

(Use this as a checklist as you’re writing)
1. Stasis

Introduces characters, everyday life, and problem. (Harry Living with the Dursleys)

2. Trigger

Add in a trigger that sparks off the story. (Harry getting picked up by Hagrid & finding out he’s a wizard)

3. The quest

The Trigger results in a quest. (Harry goes to the Wizarding World for the first time and enters Hogwarts, Finds out what really happened to his parents.)



4. Surprise

Surprise takes up the most part of the story. It’s basically the middles. It includes pleasant events, but more often means obstacles, complications, conflict and trouble for the protagonist. (Harry explores life in Hogwarts. Becomes friends with Ron and Hermione. Has skirmishes with Malfoy. Trouble with Professor Snape. Learns more about Voldemort.  Plays Quidditch. Learns more about his family).

5. Critical choice

At some point the character makes a critical choice. It shows what kind of person your character is and determines what the real goal will be for the rest of the story. (Harry learns that Voldemort has been trying to steal the Sorcerer’s Stone. He decides that he must find the Stone before Voldemort does.)

6. Climax

In the climax basically everything possibly bad that can happen to your character does and he/she faces their worst struggle. The climax is the highest peak of tension in your story. Up until this point your character has been struggling to get better at something and this is the big test where he/she can show us what they can really do and who they really are as a person. Note that this portion is paced really quickly. (Harry finds the Sorcerer’s Stone before Voldemort does. He comes face to face with him through Quirrel, one of Harry’s teachers. But when he touches Harry the contact burns him. He dies. Harry is safe.)
7. Reversal

The reversal is the consequence of the critical choice and the climax, and it should change the status of the characters. (When Harry regains consciousness, he is in the hospital with Dumbledore. Dumbledore explains that he saved Harry from Quirrell just in time. He adds that he and Flamel have decided to destroy the stone.)

8. Resolution
The resolution is when things return back to normal and the main conflict is resolved. The characters should be changed, wiser and enlightened in some way due to the story’s events. You can always leave a few strings open though if you’re planning on continuing with a sequel. You might want to use a different central conflict this time around because the main conflict in the first book has to be resolved. (Harry heads down to the end-of-year banquet, where Slytherin is celebrating its seventh consecutive win of the house championship cup. Dumbledore gets up and awards many last-minute points to Gryffindor for the feats of Harry and his friends, winning the house cup for Gryffindor.)



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Sep 23, 2011

New Changes to the Blog!


I will be slowly adding new changes to the blog for the next couple of months. My first change to the blog is the title. Previously it was “Dreamz of a YA Writer”.
Now it’s
P A R A F A N T A S Y
(Can't figure out how to get this to stay at the top of the page :-/)

In case you couldn’t tell Parafantasy is a combination of Paranormal and Fantasy. Because I absolutely love writing in both genres I decided to rename the blog after it.
I will be adding more writing advice posts over the weekends so if you’re a writer feel free to stop by and maybe we can have a discussion on something/ learn some new things.

Question for you: What topic on novel-writing/publishing would you like to discuss? I'll try to construct my future writing posts around those topics.

Have a great weekend everyone!


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Feb 19, 2011

Are You a Panster or Planner?


First off, what exactly is a panster?

A panster is a writer who writes with very little knowledge to where the story is going. Story planning is just not for them. They do all the planning subconsciously in their mind. Pansters are writers who want to be just as surprised as their readers will be while they are crafting their novel. It’s the need to find out what is going to happen next with their characters and world that keeps them plowing through their novel.

So then what’s a planner?
(You know, besides the thing that you use to keep track of things). ;)

A planner is exactly the way it sounds. It’s a writer that plans things usually before the actual writing process starts. They outline the story whether it’s a one sentence description or a whole page on what will happen in each chapter. They do character outlines, and they have a clear depiction of what’s going to happen in the beginning, the middle, and the end of their novel.

So which is better?

There is no real answer to that. Different things work for different people. Sure one way can be a lot more strenuous than the other, but in the end they all come to the same conclusion—a completed book. The road to getting there is the hard part.

Both ways have pros and cons. A con to being a panster would be that it could get you into some sticky situations such as not knowing the key points of your novel and getting stuck. A con to being a planner is knowing too much about your novel and getting bored with it.

As for me, I do a little bit of both. I know where the story’s headed but I leave out enough room to maneuver. I like to be surprised as well, but not so much that I’d end up re-writing the whole thing twice just to get the story’s plot right.

My overall thoughts on pansting/planning:

I think it’s a good idea to know where your story’s going before you start. Sometimes if you go into it without some kind of guide, whether it’s a detailed outline or a short synopsis, you can either end up getting stuck or spending a lot more time writing it than you normally would have. Outlines are only as detailed as you make them so don’t be afraid to use them. I used to because I thought they’d only lead me to a dreaded dead end trap but now I’m okay with it. It just takes some getting used to.

***
 Question of the day:

What are your thoughts on pansting? Are you a planner/panster yourself?



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Feb 6, 2011

Ezmirelda On Writing: MS Format

One of the first things I learned when I got into novel-writing was manuscript format. I personally love the format and use it even when I know no one’s going to see it. It’s clean, easy to read, and easy to edit.



Font

12 point Times New Roman

Courier New (I don’t really like this font)

Margins

1 inches on all sides

Page Header

Your name/Name of your book/page # in the top right corner of the screen.

Paragraphs


Double spaced, the first sentences of each new paragraph should be indented (5 spaces).

Don’t put any extra spaces between paragraphs; it’s already double spaced.

When you use em dashes (--) don’t put spaces before and after it. If your word processor can make the connected em dash (—) then use that one instead.

Chapters

Start  chapters on new pages.

Center the title and start about 1/3 of the way down the page.

Scene breaks

I use either # or *** centered as a scene break.

I’ve seen people do all sorts of things for this like ~*~*~ or - - - - - - -

I think it’s kind of distracting, and I advise people not to do it.

Then there’s the Cover Page . It’s more often used by people who are pursuing publication.

• Your contact information/ or your agent’s

• The title of your story

• Word count

A site that has lots of good info on manuscript format is William Shunn’s, although I’m not sure if the part about underlining instead of using italics is outdated or not. You might want to check up on that.
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Jan 12, 2011

Undecided



How many of you stick to just one genre? My main genre is YA & paranormal, though some of my books are just contemporaryYA, about teenagers going through hard stuff. It’s easy for me to write in that genre because I can relate to it so much. But then lately I’ve been having thoughts of writing a historical. I’ve written a lot of them when I was in elementary school (my stories were very fairytale-ish at the time) and I find that my voice comes out a lot stronger in that genre.

I don’t know if I’ll ever be able to settle with just one genre, so right now I’m just trying all sorts of different things. I’m trying to figure out who I am as a writer, and at the same time looking for genre that I think will fit me best. But you know when you say that you should write in the genre that you love? I don’t think that’s entirely true. I know lots of writer friends who love a genre that they don’t feel very comfortable writing in, and work better with another. Even if it were entirely true it still wouldn't really apply to me. I'm not a very picky reader and love almost all genres. I can't really say whether I like a book or not unless I actually read it first.

So what about you? Do you just stick to just one genre?
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Jan 5, 2011

♪Writing to Music♫

In a poll I asked you “Do You Listen To Music While You Write?” The responses were interesting, and not what I was expecting.


14 of you said “Yes! All the time”

3 of you said “No, it’s distracting”

15 of you said “sometimes”

And 1 said “Once in a blue moon”

My answer would be sometimes. Sometimes it’s easier for me to touch the creative side of my brain when I’m listening to music, other times silence does the trick. Some of my best writing I do when I’m listening to music. Once I get into a trance my brain takes over my hands I can type for long periods of time without stopping. Even though I absolutely love writing to music I try not to do it too much because I wouldn’t want to feel like I can’t write without it.

As for what types of songs I listen to—all kinds. I have everything from classical to rock. It just has to be catchy enough for me to get me into the zone.

What songs do you listen to when you write? Do you stick to just one type, or are you like me and listen to all kinds? I know when I first started to listen to music while writing the only thing I would listen to was classical. It started when I was listening to the Pride and Prejudice soundtrack when I suddenly had an uncontrollable urge to write down an idea that struck me. Once I started I didn’t stop until 2 whole hours later. It was a-ma-zing! ;)

Here's the link to one of the songs from the sountrack. It’s called “Your Hands Are Cold”.

This one is my current favorite: Moonlight by Yiruma



Enjoy the song! :)
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Jul 28, 2010

Novel, Novella, Novelette



The Length of a Story

I have heard from somewhere that if your work is less than 80,000 or greater than 110,000 and you’re a first-time novelist that publishers will be wary of taking your work. So I did a little research on word count and this is what I found out.

Micro-fiction-

100 word story
Publishers like these because it doesn’t cost them so much money trying to sell it, so it’s a win-win situation.

Flash-fiction-

100-1,000 words
They usually publish these in magazines.

Short Story-
 1,000-7,500 words
Usually published in anthology collections.

Novelette-

7,500-20,000 words
Publishers don’t really like this because it’s too long to insert into a magazine, and too short to stand on its own as a novel.

Novella-

20,000-50,000 words
Even though this is kind of short online publishers like them. This is mostly because people with shorter-attention spans/ people who don’t have much time to read enjoy books that aren’t as long as novels.

Novel-

50,000-110,000 words
I heard that most publishers consider 80,000 the minimum word count for a novel and 110,000 the maximum.

Epics/sequels-

Over 110,000

So if you’re writing a sequel to a novel you can extend the word count, but it’s most likely that publishers won’t accept something this long from a new-author. But if you’re a really famous author like J.K Rowling or Stephen King then it doesn’t really matter what your word count is. But anyways, if you’re writing a novel and its over 110,00 words then you should either condense it or figure out how to make it into a series.




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Jun 22, 2010

The First Chapter of Your Novel

Take a look at some of your favorite books. How do they start? What is the opening sentence/hook? What made you decide to keep on reading it?


 

What does a good opening do?
A good opening or first page captivates the reader from the very first sentence, and leaves them wanting to read more. Basically, what you want the reader to think after they’ve read your first chapter is, “What’s going to happen next?” It’s that insatiable desire to find out what happens next that urges curious reader to keep reading more. And it shouldn’t be just the first chapter, but EVERY chapter, that piques the reader’s curiosity. Lastly and most importantly—there MUST be conflict. We read about people in trouble; not people with happy perfect lives.

What does a good opening NOT do?
A good opening does NOT give too much information or background. In other words—no info dumps. Good openings do not give too much away—leave just enough out so that your readers will have no choice but to read on to find out what it is that they didn't already know.                                    



Classic Forms of Novel Openings:

1. Food for thought: Open with an abstract or philosophical statement that is relevant to your book’s plot.

Example: Leo Tolstoy, Anna Karenina: “All happy families are alike; every unhappy family is unhappy in its own way.”



2. Meet the hero: Introduce a pivotal character on the first page.

Example: Jack Kerouac, On the Road: “I first met Dean not long after my wife and I split up.”



3. Show them where it hurts: Get right to the book’s central conflict.

Example: Philip Roth, Portnoy’s Complaint: “She was so deeply imbedded in my consciousness that for the first year of school I seem to have believed that each of my teachers was my mother in disguise.”



4. Microcosmic anecdote: Tell a small story that serves as an example of the larger story to come.

Example: Malcolm Gladwell, The Tipping Point: “For Hush Puppies—the classic American brushed-suede shoes with the lightweight crepe sole—the Tipping Point came somewhere between late 1994 and early 1995.”



5. Surprisingly mundane: Set an ordinary scene in which one intriguing, out-of-the-ordinary thing happens.



Example: Alice Munro, “Nettles,” Hateship, Friendship, Courtship, Loveship, Marriage: “In the summer of 1979, I walked into the kitchen of my friend Sunny’s house near Uxbridge, Ontario, and saw a man standing at the counter, making himself a ketchup sandwich.”



6. Be self-conscious: Tell readers exactly what they’re about to read—whether it’s true or not.

Example: Vladimir Nabokov, Lolita: “’Lolita, or the Confession of a White Widdowed Male,’ such were the two titles under which the writer of the present note received the strange pages it perambulates.”



7. Begin at the end: Allude to the book’s conclusion—without giving everything away.

Example: Chuck Palahniuk, Rant: “Like most people, I didn’t meet and talk to Rant Casey until after he was dead.”



8. Set the scene: Paint a picture of an important physical location.

Example: Truman Capote, In Cold Blood: “The village of Holcomb stands on the high wheat plains of western Kansas, a lonesome area that other Kansans call ‘Out There.’”



9. Everyday people: Begin with a representative action that defines your character or theme.

Example: Barack Obama, The Audacity of Hope: “On most days, I enter the Capitol through the basement.”



3 Quick Tips



- Read what you wrote out loud to instantly catch mistakes, or awkward wording.



- Use transitions & sentence variations. For example, don’t start every sentence with “I”. Anything repetitive, unless done intentionally, needs to be edited.



- Write your draft first and edit later.

[*Note: Please vote in the poll on the side of this post.]


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Jun 17, 2010

7 Ways to Become a Better Writer

Write constantly.
The easiest way to get better is simply just to write. Becoming a good writer requires practice. If you’re not constantly in practice then you’re not developing your writing skills. Practicing is the only way to develop your own unique voice.


"The scariest moment is always just before you start.” - Stephen King


Have a special time reserved for writing.
There are times when life is so hectic you just don’t have time for writing. Your kid needs to be brought to the dentist, your fridge is empty and you need to go grocery shopping, or you’re just feeling really sick. Set a certain amount of time just for writing, whether it’s a short or long period of time.


"If you want to be a writer, you must do two things above all others: read a lot and write a lot." – Stephen King


Finish what you start.
You start a book because you’re really hyped about your idea. You get halfway through it and get stuck, meanwhile other ideas are creeping in and you want to work on those instead. Finish what you started and save those new ideas in a file for later. Unfinished books don’t get published, completed ones do. Even if you’re book isn’t as good as you wanted it to be, finish it so that you learn something from it. Maybe it’ll give you idea of where you went wrong so that in your next book you’ll be prepared not to make the same mistake again.


“We rate ability in men by what they finish, not by what they attempt”-Anonymous


Read a book you love.
Writers are readers. We learn our craft through what we read. So not only should you write regularly, but also read. Read a book you love. Read a book you hate. Figure out what works and what doesn’t work and why; and incorporate it into your own work.


“If you don't have time to read, you don't have the time (or the tools) to write. Simple as that." –Stephen King


Beware of adverbs.
To make this short and simple—do not use them.


"The road to hell is paved with adverbs." –Stephen King


Pacing.
Your work in progress could go easily wrong if the pacing is not done correctly. Go back and make sure everything happens at the time it’s supposed to. Go with a pace that’s somewhere between a dash and a slow crawl.


"Good books don't give up all their secrets at once.” –Stephen King


Always be ready for new ideas.
You could get an idea at the train station, at the doctor’s office, or in a line waiting for coffee. Ideas or inspiration could come at any moment. So be prepared. Have a notebook or notepad at hand to jot down any burning ideas. It could be an important plot twister—and you wouldn’t want to forget that.


“Miracles come in moments. Be ready and willing.” -Wayne Dyer



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Jun 9, 2010

Grammar: A Writer's Tools pt.1

5 ways to improve your grammar:


1-Become a slow reader, analyze as you read

2-Be aware of sentence construction

3-Notice the spelling of long words

4-Be aware of active and passive verb tenses

5-Avoid overuse of slang (unless in dialogue or thoughts)


Here I’ve compiled a list of…

Common Grammar mistakes:


Loose = ie; spare change, something coming away


Lose = ie; something lost



 Your: This word means belonging to you.


Examples:


Correct: "Here's your coat."


Incorrect: "Here's you're coat."


You're: A contraction of the words "you are"


Examples:


Correct: "You're not serious!"


Incorrect: "Your not serious!"



The words Affect and Effect:


Affect is a Verb.


Ex. "How does this affect that."


Effect is a Noun.


Ex. "How does the effect of this change that."


Notice that there's a 'The' in front of the word effect; you can identify it as a noun easily that way.



You use than to compare two things. For example:


"I'd rather use smooth peanut butter then chunky peanut butter."


You are comparing the two peanut butters by listing which one you'd rather use, therefore you use than.


You use then as an order of time. Example:


"If we can't get in through the front, then we'll try going through the back."


Towards and Toward:

Both toward and towards are technically correct, according to most English language stylebooks.



Blond (without the e ) is used to describe males. Blonde refers to women or female gender.
In modern use, blond is sometimes used for female as well as male, but blonde is preferred for female.




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Jun 1, 2010

BuNoWriMo

BuNoWriMo

Write your novel in June!
BuNoWriMo officially starts today and I plan on participating. The goal is to finish a 50k or more novel by the end of the month of June.


This is for those of us whose lives are too hectic to do NaNoWriMo in November. With school, and work and everything where do you have the time to write a novel in the fall? If you write your novel in June you’ll have a better chance of actually getting it done. Especially since it’s going to be summer and we’ll have all the free time we need to write.


To read more about BuNoWriMo go here:
http://waterytart23.blogspot.com/2010/05/bunowrimo.html

To join the facebook page go here:
http://www.facebook.com/group.php?gid=120068351365639&ref=search&sid=VALrhwV_gooDyVI1B8UMow.2459657483..1


Go to the official website here:
http://www.the-burrow.org/

For those of you who are trying to get work done but cannot because of lack of inspiration or the will to go on, this is for you!
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